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SCULPTURE OF THE MONTH #8
(Mystery
Sculpture #1)

SAMUEL FINLEY BREESE
MORSE
Artist: Byron M. Pickett
Dedicated: 1870
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Location, size,
medium
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Bronze statue (8 feet),
granite pedestal (6.5 feet). Just inside Central Park at 72nd Street (near
Fifth Avenue). It faces north but is surrounded by trees: best viewed at
mid-day or later, and after the leaves have fallen.
About the statue
and the subject
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Samuel Finley Breese
Morse (1791-1872) was among the most prominent nineteenth-century American
painters, but like many an artist, he found painting financially
unprofitable. Perhaps for that reason he began to experiment with the
telegraph while teaching painting and sculpture at New York University in the
1830s.
Working with two
more technically knowledgeable colleagues, Morse succeeded in reducing the
number of wires in a telegraph to one, and in developing a code that allowed
easy transmission while permitting trained operators to "hear"
messages as they were being transmitted, rather than waiting for a print-out.
While Morse is sometimes presented as a dilettante dabbling in science, no
dilettante could have focused on the telegraph for the decades it took Morse
to develop his code, construct a successful line and eventually turn a
profit.
"The
telegraph was something very new under the sun, something that would have
been utterly inconceivable to the [eighteenth-century] world .... The
telegraph could transmit information at very high speed--thousands of times
faster than it could be physically carried and hundreds of times faster than
Chappe's visual telegraph could transmit it--and at very low cost. So it is
not surprising that once its practicality was demonstrated, the telegraph
spread with astonishing speed, often using the convenient pathways forged by
the equally fast-spreading railroads." (Gordon, p. 9)
Morse made
hundreds of thousands of dollars from licensing the use of the telegraph. By
1854, 23,000 miles of telegraph wires stretched across the United States. One
of the notable effects was to make New York's Wall Street the financial
center of the United States, because it ensured that New York's stock prices
could be transmitted almost instantaneously to other markets in the country.
(See Gordon,
The
Great Game: The Emergence of Wall Street as a World Power 1653-2000, p. 203.)
Morse was also a
pioneer photographer who learned the technique in the 1840s from Louis
Daguerre, inventor of the earliest widely used photographic process--the
"daguerreotype." Morse's pupils included renowned Civil War
photographer Mathew Brady.
Further
reading
The American
National Biography, available online
through most major libraries, offers a scholarly biography of Morse and an
annotated bibliography.
John Steele
Gordon’s A
Thread Across the Ocean: The Heroic Story of the Transatlantic
Cable describes the radical
changes brought by the telegraph and the laying of the first
transatlantic cable in 1866--the engineering feat of the century and one of
the most expensive business projects ever attempted.
Eric Daniels’ The Inventive Age in American History
is engagingly presented, informative and inspiring. He devotes about half an
hour to Morse, and also covers Benjamin Franklin, Thomas Jefferson, Eli
Whitney, Thomas Edison, Elihu Thomson, Nikola Tesla, Charles Franklin Kettering
and the Wright brothers. Available through the
Ayn Rand Bookstore.
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